Sabtu, 28 September 2013

[Y868.Ebook] Download Ebook Le coffret Bescherelle: conjugaison / grammaire / orthographe / vocabulaire - Conjugation / Grammar / Spelling / Vocabulary in French (Fren

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Réunis dans un coffret, quatre références incontournables sur la langue française : La conjugaison pour tous, La grammaire pour tous, L'orthographe pour tous, Le vocabulaire pour tous

La conjugaison pour tous
Les tableaux de conjugaison modèles
Les règles de conjugaison et d'accord
Le répertoire des verbes de la langue française

La grammaire pour tous
Une description précise du fonctionnement de la langue
Les règles et les outils d'analyse
Des liens entre la grammaire et l'expression écrite

L'orthographe pour tous
Toutes les règles de l'orthographe grammaticale et lexicale
Des explications claires, de nombreux exemples
Un répertoire des difficultés courantes

Le vocabulaire pour tous
L'histoire de la langue française
La description du fonctionnement du lexique
De nombreuses ressources pour enrichir son vocabulaire

  • Sales Rank: #677938 in Books
  • Published on: 2015-10-22
  • Original language: French
  • Dimensions: 7.87" h x 2.76" w x 5.51" l,
  • Binding: Hardcover
  • 1184 pages

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Senin, 23 September 2013

[A653.Ebook] Ebook Download Summer of the Dead (Bell Elkins Novels), by Julia Keller

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Summer of the Dead (Bell Elkins Novels), by Julia Keller

It's high summer in Acker's Gap, a small town nestled in the beautiful but poverty-stricken West Virginia mountains―but no one's enjoying the rugged natural landscape. Not while a killer stalks the town and its hard-luck inhabitants. County prosecutor Bell Elkins and her closest friend, Sheriff Nick Fogelsong, are stymied by a murderer who seems to come and go like smoke on the mountain. At the same time, Bell must deal with the return from prison of her sister, Shirley―who, like Bell, carries the indelible scars of a savage past.

In the third mystery chronicling the journey of Bell Elkins and her return to her Appalachian hometown, we also meet Lindy Crabtree―a coal miner's daughter with dark secrets of her own, secrets that threaten to explode into even more violence. Acker's Gap is a place of loveliness and brutality, of isolation and fierce attachments―a place where the dead rub shoulders with the living, and demand their due.
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Julia Keller once again captivates readers with this story of a dying West Virginia mountain town and the strong, proud people who inhabit it.

  • Sales Rank: #1046048 in Books
  • Published on: 2015-07-28
  • Released on: 2015-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x .99" w x 5.51" l, .0 pounds
  • Binding: Paperback
  • 384 pages

Review

“Keller's insights into the vagaries of families provide a solid foundation as the character-driven Summer of the Dead delivers a plot rich with believable action and intriguing twists.” ―Associated Press

“Julia Keller is a beautiful writer and Bitter River has an elegiac force to it that is powerful and gripping. Bell Elkins is one of the most fully realized characters in fiction today. I just turned the last page on this one and I want more.” ―Michael Connelly

“A literate, gritty, character-driven tale with another surprise ending.” ―Kirkus (starred)

About the Author

JULIA KELLER spent twelve years as a reporter and editor for the Chicago Tribune, where she won a Pulitzer Prize. A recipient of a Nieman Fellowship at Harvard University, she was born in West Viriginia and lives in Chicago and Ohio.

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10 of 11 people found the following review helpful.
Suspenseful Page-Turner Crime Thriller!
By Judith D. Collins
A special thank you to St. Martin's Press and NetGalley for an ARC in exchange for an honest review.

SUMMER OF THE DEAD by Julia Keller, is part of a series as the third installment (Bell Elkins Series #3) and boy oh boy, is Bell is in the middle of all sorts of problems— crime, mystery, and high drama in the old mining town of Acker’s Gap, West Virginia.

As Bell returns to her Appalachian hometown, readers meet bookworm, Lindy Crabtree—a coal miner's daughter with dark secrets of her own—secrets that threaten to explode into even more violence. Her father has more than dementia, a retired miner and as strange as they come, living in the cellar so he can feel as though he is still in a mine (and does not like visitors). All sorts of evil surrounding this household.

In addition Bell’s sister, Shirley is out of prison and is living with Bell. It is difficult to keep tabs on this one, much less control. She feels she owes her sister, after protecting her years ago from an abusive father. Otherwise she may not be where she is now, in her career and life (college, law school, motherhood, public office—none of it could have happened, without Shirley.)

Thirty years have passed since that night, yet even now, when Bell contemplates her sister’s sacrifice, a sacrifice that had consumed so much of Shirley’s life—the prison sentence had been extended again and again by Shirley’s fighting and insubordination and by an escape attempt—Bell is overwhelmed.

However, along with her duties as prosecutor and the gruesome reality of Freddie Arnett’s unsolved murder there is also the fact her daughter would be arriving for a visit (and she is not looking forward to Carla seeing her aunt Shirley in the midst of rebellion, alcohol, cigarettes, and self-pity).

This was my first book by Julia Keller, and looking forward to going back and reading the previous books in the series. The author did an outstanding job of creating a strong connection between sisters and the characters for a positive takeaway, in the midst of this suspenseful and dark page-turner crime thrilling mystery and tragedy—which makes for a satisfying and engaging read, as Bell takes a journey as she deals with her past. (Loved Bell!)

Julia’s acknowledgement included the inspiration for this book, which can be haunting—as SUMMER OF THE DEAD, portrayed the devastating long term effects of these stricken miners. Highly Recommend!

Loved the quote: “For what other dungeon is so dark as one’s own heart? What jailer so inexorable as one’s self. Nathaniel Hawthorne, The House of the Seven Gables

4 of 4 people found the following review helpful.
A twisting turning mystery!
By OpenBookSociety dot com
Brought to you by OBS reviewer Jerjen

Bell Elkins is a county prosecutor for Acker’s Gap, West Virginia. She has her hands full with the investigation of an elderly man murdered in his driveway. She cannot understand why anyone would have a reason to kill him. She is also dealing with her sister’s return from prison. Shirley, her sister, has been in prison for thirty years for the murder of her and Bell’s abusive father. When Shirley returns to live with Bell, there is a lot of friction because Shirley is acting wild and disrespectful to Bell. She is living a dangerous life and Bell is both worried about her sister and angry about her sister’s behavior. But Bell also feels guilty that Shirley’s life took the turn that it did because she was protecting Bell from an abusive father. Bell was able to live the life she has and become the person she is through her sister’s ultimate sacrifice.

There are many different characters that we read about. There is Bell, there is Shirley, and there is Sheriff Fogelsong, who is also a friend to Bell. There is also Lindy Crabtree, who lives in the town and loves books and science above all else. And there is Lindy’s father, who is a ex- coalminer who is suffering from dementia. He lives in the basement, living under tables and amongst limbs and rocks and coal that Lindy has put down there for him. He rarely leaves the basement and never leaves the house. Or so Lindy thought.

Bell Elkins is the character that is the most portrayed and developed. It is her story we learn, her emotions we read about and her hopes and fears we feel. We learn about her determination, her frustrations, her guilt and her loyalty. She is definitely someone you would want to be friends with and you would definitely want to have in your corner. The other characters in the book are also well developed and well rounded. The interactions between the characters are very realistic and add so much to the story.

The author is very descriptive in her writing style. So much so that I feel at times it was a little too much. I feel like it made the book a longer read then it needed to be. I found myself sometimes skimming through paragraphs to get back to the action. To me this was a distraction from the plot and the flow of the story. Other readers may find the descriptive writing of most details in the book a positive aspect of the book.

Where I did like the descriptive writing was the details about the people living in a West Virginia coal mining town. It showed the desperation of these people who no longer have the mines for their economic growth. It also shows the pride these people have and how hard working they are. This desperation and pride where displayed throughout the entire book and I thought this was a great addition to the story. Another area where the description was a plus was when the murders were being described. I felt like I was right there watching the activities happening around me and seeing the aftermath of the killings.

There are a few murders taking place throughout the book and the mystery and suspense are carried out from the beginning to the end of the book. There are so many twists and turns thrown in that I found it impossible to determine the killer. I love when I cannot figure out the mystery, when I think I have it all figured out and then I find out I am totally wrong. That to me is a good mystery/suspense read.

I would recommend this book to anyone who enjoys a twisting, turning mystery that is full of suspense. This is the third book in the series and it is the first book that I have read. I feel that it was a stand-alone book and I don’t feel that it was a problem not having read the first two. But i do plan on reading the other two at some point.

*OBS would like to thank the publisher for supplying a free copy of this title in exchange for an honest review*

4 of 4 people found the following review helpful.
Love being back in Ackers Gap
By Skip
Usually a series gets a bit stale as it goes along. But this one gets better with each new novel. I raced through this, and the ending was shocking yet satisfying. Once again the rural scenery is richly detailed. And I loved being with these characters again. I really hope there are many more.

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Jumat, 13 September 2013

[A733.Ebook] PDF Ebook The Story of Sex: From Apes to Robots, by Philippe Brenot, Laetitia Coryn

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*The French Best-seller* 'The book France won't stop talking about...undoubtedly a lovely Christmas gift for anyone with a keen interest in when and how the first vibrator was invented' - Telegraph 'OOH la la...We've come a long way from wrapping Lady Chatterley's Lover in brown paper' - London Evening Standard 'Warm, humane, inclusive, open-minded' - The Times 'A witty account that embraces everything from the earliest humans to the age of cybersex' - Guardian 'Funny, erudite, and devilishly sexy, The Story of Sex is a treat for the whole family (except, perhaps, younger children and muffled prudes)' - The Culture Trip A history of sex, sexuality and human intimacy through the ages, from our primate pasts to our robotic futures Sex is everywhere, yet how many of us truly understand it? Our attitudes to sex and sexuality are forever in flux. Driven by pleasure, power, revenge, a desire for children or simply because it isn't allowed, humans have had sex on the brain since pre-civilisation. But what do we really know? In The Story of Sex, we discover the truth, including: what eroticism really is, when the first couple was established, what phallic festivals were all about, when chastity belts were used and how some ancient civilisations were far ahead of their time when it came to gender equality. We learn how, through the centuries, religion, superstition and morality laws have shaped our view of what is and isn't palatable - with many cultures having come a long way from prohibiting masturbation (by way of a microscope) or considering homosexuality a 'perversion', while others continue to condemn promiscuous behaviour, particularly of women - and how technology and disease have redefined the limits of pleasure and reproduction. The first graphic novel of its kind, The Story of Sex brilliantly and humorously uncovers the most fascinating details of our sexual ancestry, and foretells a future of virtual gratification. Philippe Brenot is a psychiatrist and the Director of Sexology at Paris Descartes University. Laetitia Coryn is a graphic artist and illustrator.

  • Sales Rank: #38266 in Books
  • Published on: 2016-10-27
  • Original language: French
  • Dimensions: 11.57" h x 1.02" w x 8.43" l, .92 pounds
  • Binding: Hardcover
  • 208 pages

Review
The book France won't stop talking about...undoubtedly a lovely Christmas gift for anyone with a keen interest in when and how the first vibrator was invented Telegraph OOH la la...We've come a long way from wrapping Lady Chatterley's Lover in brown paper London Evening Standard A witty account that embraces everything from the earliest humans to the age of cybersex Guardian Funny, erudite, and devilishly sexy, The Story of Sex is a treat for the whole family (except, perhaps, younger children and muffled prudes) The Culture Trip Warm, humane, inclusive, open-minded The Times

About the Author
Will McMorran (Translator) Will McMorran is a Senior Lecturer in French and Comparative Literature at Queen Mary, University of London.

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Rabu, 11 September 2013

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One of the great fears many of us face is that despite all our effort and striving, we will discover at the end that we have wasted our life. In A Guide to the Good Life, William B. Irvine plumbs the wisdom of Stoic philosophy, one of the most popular and successful schools of thought in ancient Rome, and shows how its insight and advice are still remarkably applicable to modern lives. In A Guide to the Good Life, Irvine offers a refreshing presentation of Stoicism, showing how this ancient philosophy can still direct us toward a better life.

Using the psychological insights and the practical techniques of the Stoics, Irvine offers a roadmap for anyone seeking to avoid the feelings of chronic dissatisfaction that plague so many of us. Irvine looks at various Stoic techniques for attaining tranquility and shows how to put these techniques to work in our own life. As he does so, he describes his own experiences practicing Stoicism and offers valuable first-hand advice for anyone wishing to live better by following in the footsteps of these ancient philosophers. Listeners learn how to minimize worry, how to let go of the past and focus our efforts on the things we can control, and how to deal with insults, grief, old age, and the distracting temptations of fame and fortune. We learn from Marcus Aurelius the importance of prizing only things of true value, and from Epictetus we learn how to be more content with what we have.

Finally, A Guide to the Good Life shows listeners how to become thoughtful observers of their own lives. If we watch ourselves as we go about our daily business and later reflect on what we saw, we can better identify the sources of distress and eventually avoid that pain in our life. By doing this, the Stoics thought, we can hope to attain a truly joyful life.

  • Sales Rank: #1874 in Audible
  • Published on: 2013-12-17
  • Released on: 2013-12-17
  • Format: Unabridged
  • Original language: English
  • Running time: 483 minutes

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394 of 410 people found the following review helpful.
The Best Introduction to an Ancient Philosophy
By David B Richman
I first read Marcus Aurelius' "Meditations" while flying to the eastern United States for a scientific meeting. It was during a rather difficult period in my life and I had picked up on "Meditations" because of a mention of this work by Edwin Way Teale in "Near Horizons" as a book he turned to in times of trouble. I was not disappointed by these insightful notes written for his own use nearly 2000 years ago by the Roman Emperor and Stoic philosopher. It was thus that I was primed to read William B. Irvine's "A Guide to the Good Life: The Ancient Art of Stoic Joy." This is one of those books that can be really life changing, if the reader is ready for it.

Irvine briefly discusses the history of Stoic philosophy and its relationship to other philosophies in ancient Greece and Rome. He concentrates most of the book, however, on the Stoics of the Roman Empire, namely Seneca, Gaius Musonius Rufus, Epictetus and of course, Marcus Aurelius. After his historical review Irvine spends some time on the practical aspects of Stoicism, including negative visualization (visualizing how your life could be worse), dichotomy of control (what we can and cannot control), fatalism (about the past and present, not the future), self-denial (putting off pleasure so as to appreciate it more when you have it), duty (what we owe to others), social relations (how we relate to others), insults (how to react to them), grief (how to deal with loss), anger (how to turn it to humor), personal values (how to deal with fame and fortune, or the lack thereof), old age (how to deal with the aging process), and dying (how to prepare for this certainty). The last part of the book is devoted to the practice of Stoicism in the modern world, with both its pluses and minuses.

Although I would have to practice a modified Stoicism (I doubt that most of us would like to sleep even occasionally on a board or give up sex except for procreation), there is much of Stoicism that we can use in the modern world. Unlike the Cynics who slept on boards all the time and generally followed ascetic practices, Stoics wanted to enjoy life and followed something akin to the Middle Way of Buddhism. This attitude could certainly be of use to counter the worst of this "me first" society of rampant consumerism. In truth you really cannot take it with you when you die and to act like you can is the height of folly.

This book is a fascinating exposition of Stoic philosophy and its possible uses in the present day. The current economic collapse and other disasters of modern living could be a fertile ground for a revival of Stoic ideas. I also recommend it as a refreshing antidote for the hectic modern world in general. Take what is useful, and leave the rest, but read it if you would live deliberately and thus be free!

205 of 211 people found the following review helpful.
Stoicism Redux
By Ismael Ghalimi
Once in a while, one comes across an idea so profound that it has the power to change one's life. So was the case for me yesterday on my way to Columbus, OH. Feeling like Christopher Columbus (re)discovering the Americas, I re-discovered the ancient Stoic philosophy through the reading of A Guide to the Good Life: The Ancient Art of Stoic Joy by William B Irvine's, thanks to a program I recently listened to on KPFA. I had never read the philosophy of Zeno of Citium, Epitectus, Seneca, or Marcus Aurelius, but I knew in my heart that such a liberating yet deceivingly simple way of living must have been devised before. I just did not know where to look for it. And much like the author, I had been recently intrigued by Zen Buddhism, but could not fully relate to its esoteric nature.

Classic Stoicism preaches a way of life that can bring tranquility and joy to anyone. Through simple psychological techniques such as negative visualization, dichotomy (/trichotomy) of control, or internalization of goals--all brilliantly described in Irivine's book--one can suppress negative feelings such as anxiety, fear, or frustration, while learning how to better deal with insult or grief, and why fame and luxury should not be looked for (more on this later).

While reading through the 336 pages of Irivine's book, I was amazed at how natural the overall philosophy felt to me. Its guiding principles were some of the very few absolute values that I could genuinely call mine, and many of its techniques I had discovered myself over time. In the author's words, I must be a "congenital Stoic." Nevertheless, I had never been able to spell out such a coherent system on my own, nor had I come across anyone who had until now.

Reading through the book's last chapters, and especially Chapter Twenty-One--Stoicism Reconsidered--I experienced an exhilarating rush of wholesomeness, being confronted for the first time to a coherent philosophy of life. Religious minds would say I got a revelation. Being agnostic myself, I would call it an epiphany, and it came in the form of Irvine's proof that Stoicism was a "correct philosophy of life," not by referring to Zeus as the ancient Stoics did, but to evolutionary theory in general, and evolutionary psychology in particular. Not being a professional philosopher myself, I cannot adequately criticize Irvine's argumentation, but it made sense to me. In fact, I would even go as far as challenging the author's excessive modesty, and suggest that he actually delivered a modern proof for Stoicism's overall correctness.

To say the book convinced me is an understatement. It converted me, not only to the doctrine, but to the scholastic approach of ancient philosophy. And as Seneca put it, "I do not bind myself to some particular one of the Stoic masters; I, too, have the right to form an opinion." (Seneca, "On the Happy Life," III.2). So let me offer some suggestions as to how Stoicism could be extended to benefit from more recent discoveries.

First, the notion of "duty," which ancient Stoics justify by the mere fact that we are social creatures and that we all mutually benefit from virtuous social behavior, should be further developed. In order for it to become more acceptable, its justification should go beyond the benefits of harmonious inter-personal relationships, and include a notion best described as statistical Karma: if more people act benevolently with others in a pass-it-forward kind of way, the world at large will become a better place, and we will all benefit from it indirectly.

Second, the notion that fame after death should not be set as a goal, while advisable at first, is unnecessarily challenging for those who do not believe in life after death. Instead, I believe that one's goal could (should) be to create a lasting legacy, either by passing the virtuous of a Stoic life to one's descendants, or by making positive contributions to mankind, small or large. Such a legacy can reasonably be considered as some form of life after death by agnostic philosophers, or a component of life after death by their religious counterparts. Furthermore, because such a legacy will be judged by those who survive us after our passing, setting its creation as a primary life goal should not expose us to the usual traps of fame seeking. Last but not least, it should be obvious to anyone that such a legacy should be a positive one, as in one that will benefit those who survive us and for generations to come, as opposed to a free entry into history books for reason of crime against humanity.

Third, I believe that the Stoic reaction to insult (offense might even be a more appropriate term) should be extended in order to include what is possibly the most powerful discoveries of the past two millennia: Christian forgiveness. Before explaining what I mean by that, let me give some personal background: my mother was born in France and received a Catholic education. My father was born in Algeria and was raised as a Muslim. I was born in France thirty-five years ago and grew up in a perfectly atheist environment, like many kids of this time in post-68, pre-socialist France. Nevertheless, I later developed a keen interest for Christianity and its principles, originally through the watching of movies from David Lynch. Fire Walk with Me gave me an intuitive understanding of the notion of the original sin and its repercussions on our collective psyche as members of a Judeo-Christian community, while The Straight Story offered a moving demonstration of the power of forgiveness. While I view the concept of original sin as fundamentally anti-Stoic, I consider the notion of forgiveness as the ultimate exercise of Stoic mastery. The reason for this is simple: on one hand, ignoring an insult or offense is neutral at best, even slightly negative as the author would admit, for it creates frustration on the side of the offender. On the other hand, genuine forgiveness, although tremendously challenging for the one who received the offense and arguably rare, has the power to deliver a transforming epiphany to the offender. In other words, forgiveness could be the ultimate act of Neostoicism, and is positively viral by nature, therefore should be practiced whenever possible.

I am now sitting on a plane on my way back home. Practicing negative visualization, I realize how fortunate I am that the previous three legs of my trip were completed without any incidents. And while I contemplate the prospect of the plane crashing before we make it back to SFO, I know in my heart that I am living a good life now, at this very moment (carpe diem). I realize that I shared through these lines more than I expected to, and that it does not make me a proper stealth Stoic as advocated in Irvine's book, but I also know that many of the ideas he brought back to life were born through Socratic debate. I simply wish to contribute to the discussion, with as much innocence that my ignorance will afford me.

Tonight, I found my way (in a Taoist sense), and this brings me joy.

175 of 188 people found the following review helpful.
Stoicism Naturalized
By Reader
In `A Guide to the Good Life' William Irvine makes a case for Stoicism in the modern Western world. A short popular work, the text does not presuppose or require prior acquaintance with philosophy in general or stoicism in particular. The following comments are offered for potential readers.

First a few words with respect to context. Along with Epicureanism and Cynicism Stoicism was a well-known school of Greek philosophy in the ancient world that thrived for many centuries. Stoicism is often divided into three periods, Early Stoicism (Zeno and Chrysippus), Middle Stoicism (Panaetius and Posidonis) and Late Stoicism (Seneca, Musonius, Epictetus and Marcus Aurelius). Irvine's book centered on the latter Roman period which has a pragmatic rather than theoretical focus; at least the extant texts are skewed in this direction. With the exception of some occasional pockets of resurgence Stoicism vanished from the intellectual landscape in the early centuries of the Common Era.

While I appreciate stoicism and think that it has something to offer to contemporary society, I have mixed feelings about this text. On the positive side Irvine writes in a manner that is accessible to a broad non-academic audience and as such may expose Stoicism to readers that it might not otherwise reach. His observations, while overly general, regarding the superficial and commercial nature of modern Western society are worth noting and likely to resonate with reflective readers. Additionally he does an adequate job of introducing and discussing some Stoic techniques for dealing the challenges of life (e.g. desire, anxiety and anger), and attempts to dispel the stereotype of stoics as cold and joyless people. Finally, while not a major aspect of the book, I enjoyed his critic of modern psychologically. These comments were necessary given that stoic and modern psychological presuppositions are often in disagreement. Time will tell, however, I agree with Irvine that Stoicism is as at least as likely to be true as aspects of modern psychology - perhaps more likely.

With regard to drawbacks the book's greatest weakness is that in naturalizing stoicism the author fundamentally changes and undermines this ancient philosophy. Irvine is a committed naturalist and in order for Stoicism to fit his worldview he needs to expunge its supernaturalism. What results from such an exercise does not seem to be Stoicism. Stoicism is anchored in a supernatural worldview; it is a pantheistic philosophy that understands human agents to be part of God. As a consequence of this supposition Stoics posit that there is value, purpose and hope in life. Divorced from its metaphysical underpinnings Stoicism seems to be just another example of feel good pop psychology. This is not intended as a particular critic of naturalism, but merely to point out that in a naturalistic worldview the Stoic belief in objective value and purpose is simply misguided.

Overall, while not a terrible little book, it is probably a pass for most readers seeking an introduction to Stoicism. Instead, I would recommend that readers access Stoic thinkers directly; Seneca's letters, Epictetus' Manual and Marcus Aurelius' Meditations are all readable and widely available. With regard to Latter Stoicism "Epictetus' by leading Stoic scholar A.A. Long is also especially good.

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  • Sales Rank: #11407918 in Books
  • Published on: 2006-11-20
  • Original language: French
  • Number of items: 1
  • Dimensions: 10.83" h x .59" w x 11.61" l,
  • Binding: Album

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In one of the great collaborations of cinema history, L'age d'or united the geniuses of Luis Buñuel and Salvador Dali in the making of a uniquely savage blend of visual poetry and social criticism. One of the outstanding works of the Surrealist movement, L'Age d'or was banned and vilified for many years in many countries, becoming justly legendary for its subversive eroticism and its furious dissection of "civilized" values.
In a remarkable, intuitive reading of L'Age d'or, Paul Hammond interweaves a detailed account of the extraordinary circumstances of its production with a dazzling interpretation of its aesthetic and political nuances. At once authoritative and polemical, this is a study entirely in tune with its subject, a fitting accompaniment to one of the major landmarks of world cinema.

  • Sales Rank: #3118173 in Books
  • Published on: 1998-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .25" w x 5.25" l,
  • Binding: Paperback
  • 76 pages

Amazon.com Review
If you haven't seen L'Age D'or, you're missing out on one of the great classics of cinematic surrealism. Directed by the great Luis Buñuel and written by Buñuel and Salvador Dali, L'Age D'or is rife with nonsensical dialogue and bizarre, disjunctive images. In it, romantic lovers prostrate themselves before statues, Jesus appears as a monstrous hedonist, and the acts of copulation and defecation are linked. The film is alternately shocking, haunting, and outrageously funny.

Paul Hammond's guide to L'Age D'or is as twisty and elliptical as the film itself. As he walks us through its "plot," his enthusiastic and punning prose provides data about the making of the film, Buñuel and Dali's peculiar obsessions, the Freudian underpinnings of the work, and the meaning of its images, particularly of its chief metaphor, the scorpion. --Raphael Shargel

About the Author
Paul Hammond is a writer specializing in Surrealism and cinema. He is the author of Marvellous Melies, the compiler (with Ian Breakwell) of Seeing in the Dark: A Compendium of Cinemagoing and the editor of The Shadow and its Shadow: Surrealist Writing on the CInema. He lives in Barcelona.

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1 of 1 people found the following review helpful.
A Book On Murdering (possible spoilers)
By A Customer
The murdering performed in L'age D'or is definitely rendered aesthetically in many forms. Among other forms, one could also dispute that L'age D'or attacks Freudian based ideas, which are depicted and utilized in the film with derision
Freudian theories were prominent during the reign of Surrealism. Andre Breton had become a leading student in the field of psychology, soon establishing Freudian ideals in the Surrealist manifesto. Among the psychological symbols presented in L'age D'or are: displacement of a phallus for Apollo's big toe, images of rod shaped objects hitting water, an anal-expulsive scene set in a lover's fantasy, a woman with a bandage on her finger, and a hand recklessly polishing bottles and kitchen utensils.
It is apparent that L'age D'or has represented Luis Bunuel's anti-clerical sentiments. In addition, the film rejects the notion of diplomacy for purposely shocking the viewer and offending those who cherish the concept of class society.
The film's structure is very fragmented but still possesses a linear narrative format. In this manner Bunuel had relinquished previous conventions to filmmaking and doubly attacks structure and the viewers preconceived principles for watching a film.
In L'ge D'or (or simply The Golden Age) Bunuel presents a tale of two lovers whose romantic sentiments and erotic activities are being thwarted by middle-class values and ideologies. In his autobiography, Bunuel described the lovers conflict as a l'amour fou, or an "impossible force that brings two people together and the subsequent impossibility of them ever becoming one."
Subsequently, the two lovers begin to share their emotions in bizarre ways: tumbling on chairs, biting fingers and toes, sucking profusely on inanimate objects.However, the turning point of the film presents the jealousy of the protagonist, when his amorist falls in love with a middle-class conductor. Thus L'age D'or then vociferates a cataclysm of emotions and subconscious imagery.
... Although incomprehensible to a majority, the climax of the film is intentionally ambiguous but metaphorically is another one of Bunuel scathing assault on organized religion.
Salvador Dali has proffered the idea that the images of Surrealism will set an abominable precedent on the ways we view reality. Likened to Dada, Surrealism had attacked the conventions of art by presenting nihilistic ideas to an audience accustomed with Fauvism and Cubist banalities.
Likewise, Surrealist artists have deconstructed the principles of art by exhibiting in their mediums the worlds of absurdism and the unconscious mind. By these aesthetic practices, our judgments of reality have been considerably altered and have now taken a new standpoint.
As a supplement to Dali's statement, Bunuel described Surrealist cinema as "a passionate call to murder." In relation to Bunuel's quotation, it is ostensible that the murdering performed in L'age D'or is directed at the hierocratic doctrines of the Roman Catholic Church and bourgeois values.
Bunuel had expressed his ambivalence for religious conviction by stating "Thank God I'm an atheist." By the same token, the film L'age D'or affirms a deep-seated indifference as well as an utter indignation for Roman Catholic dogma.
During the critical point of the film, Bunuel establishes his protagonist development where after being rejected by his would be lover, the character begins to ravish an immaculately set bedroom belonging to a bourgeois resident. Subsequently, the hero (or antihero) purposely deposits cherished objects out of the window.
Among these items are: an accumulation of pillow feathers, a christmas tree that is set ablaze, a live Roman Catholic bishop in full regalia, and a stuffed giraffe.
Among the aforementioned discarded objects, Bunuel clearly exemplifies his religious opinion most notably with the discarding of the Catholic bishop. In addition, one may argue that what the protagonist is doing is presumably related to Bunuel's own wish: a purging of oppressive theological icons.
In addition, one could say that the film is murdering the audience or viewer by displaying surrealistic pessimism and confounding imagery. Moreover, wide populations of viewers were doubly offended by the film blasphemous and utterly absurd ideas.
During the film's premier, a nationalistic Catholic organization known as The King's Henchman (who belonged to the Action Française of France) proceeded to throw bottles of ink and jars of acid onto the screen. This incident was precipitated due to the fact that L'age D'or presented a sequence where a religious sacrament was juxtaposed with a beautiful woman's leg.
But is this still shocking? Apparently not by today's standards
After leaving the screening, the group bombarded the theater's adjacent gallery and deliberately ruined the paintings of some renowned Surrealist artist, most notably Max Ernst, whose canvas bore huge slashes in it.

By this example, L'age D'or had an utmost affect on its audience, eventually becoming censored in several countries for several years ---even to this day it is rare to see a screening of this film.
In short, a Surrealist film like L'age D'or may shock or appall audiences with its use of absurd and blasphemous sequences and subject matter. Nevertheless, one can also acquire a new perspective on the societal values and class systems presented in the film.

1 of 1 people found the following review helpful.
Enlightening and playful diegesis of a provocative classic.
By darragh o'donoghue
When 'L'Age D'Or' was released in 1930, the few mainstream cinemas equipped with sound refused to show it. Its exhibition in a small art-house sparked vicious vandalism from right-wing groups; under pressure from the Parisian Chief of Police, the film was withdrawn and remained unseen for 50 years except for poor pirate copies. Raucously erotic, politically satirical and provocatively sacreligious, it is easy to see even today how this Surrealist masterpiece caused so much offence - laced with imagery sublimating onanism, famous scenes include the putrefaction of four bishops on a Mallorcan cliff-top; repeatedly frustrated erotic trysts; the gratuitous kicking of a dog and a blind war veteran; the cold-blooded shooting of a young boy by his father; a restaging of de Sade's infamous novel '120 Days of Sodom', with the murderous libertine Blangis played by Christ; and a crucifix nailed with women's scalps.
Paul Hammond's monograph is an indispensable gloss on this dense, allusive, but hilarious film. Although imbued with a Surrealist aesthetic - with creative input from the movement; cameos by Max Ernst, Paul Eluard and Velentine Penrose; the visual influence of Magritte and the narrative disruptions of Peret - Hammond shows how 'L'Age D'or' fundamentally engages with Bunuel's love for Hollywood, in particular the slapstick of Keaton and Langdon, the social comedies of Lubitsch and Stroheim, and the amour fou melodramas of Borzage, which he reworked, burlesqued and homaged (Bunuel despised the 'avant-garde' or 'art' film). He reinstates the important creative contribution of now-despised co-scenarist Salvador Dali, who provided many of the film's best gags and its running imagery, as well as its 'critical-paranoid' methodology - the pair's aim was to show 'reality's adjustment to the unconscious'. He brilliantly traces the film's equally remarkable production, and how its crises shaped 'L'Age D'Or''s aesthetic (for instance, unusable footage led Bunuel to use stock scientific film for the famous opening 'documentary' scorpion sequence). He explains the political, sexual and Freudian allusions scattered throughout, as well as the many in-jokes - much of the imagery is generated from word-play. His recreation of the amazing cultural milieu of which the film was a part, a Parisian world of intense culture, politics, sexuality, friendship and comically bourgeois family problems.
Although his tracing of the film is linear, Hammond rejects systematic analysis in favour of a 'delire d'interpretation', picking up clues from the imagery, film-making or background and wending many fascinating and original interpretive avenues. The reader should be warned however: Hammond assumes a lot of prior knowledge (you are expected to know who Peret and Brunius were, or what happened at the Saint-Pol-Roux dinner); while sentences such as the following are not uncommon: 'As well as functioning oneirically, 'L'Age D'Or' is a fine example of Shklovskian retardation'; 'In the end he toned down the galimatias, although the diegetic effect remains dyslexic'. Best have a dictionary and google handy!

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Sabtu, 07 September 2013

[X602.Ebook] Free PDF Gemmology, by Peter G. Read

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Gemmology, by Peter G. Read

Since Gemmology was published, readers have used it to gain an in-depth appreciation of the science of gemmology, its history, and practice. This third edition has been completely revised to cover the latest methods of gem enhancement and identification, as well as the latest test instruments and laboratory techniques. Gemmology serves as an invaluable reference guide for gemmologists, professionals, and students, and is an invaluable text for anyone in the gemmological profession. Also included are details of the Gemmological Association’s Foundation Course together with advice on examination techniques.

  • Sales Rank: #919741 in Books
  • Brand: Read, P. G.
  • Published on: 2008-05-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.30 pounds
  • Binding: Paperback
  • 336 pages

Review
About the second edition:
"... this is the book I have been waiting for. It is an affordable, excellent reference book with every diagram and chart necessary for the identification of gemstones and gem material."
Jewellery Time

About the first edition
'Gemmology is a most welcome update and expansion of his 'Beginner's Guide to Gemmology...It fills a gap in practical gemmological literature' - Gemmological Newsletter

'...it is clearly well-written, factually sound, well illustrated, and combines the virtues (and fortunately avoids the mistakes) of its acknowledged predecessors such as Webster's 'Gems', Anderson's 'Gem Testing', and the GAGB's teaching notes...Well done Peter. This book is a most useful contribution to the literature and can only assist Australian student of gemmology' The Australian Gemmologist

About the third edition
"Read's classic work is a thorough, authoritative, and updated resource on gemstones, their characteristics, procedures of determination, and methods of fashioning into gems..The book is thoroughly illustrated with diagrams, photographs, and color plates; it has an ample index and a modern bibliography. Recommended for libraries serving mineral collectors and for all libraries supporting earth-science students in geology and mineralogy." Choice

About the Author

Peter G. Read is a writer and lecturer on gems and gem test equipment. He also developed the world’s first gem identification computer program, GEMDATA.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Great for students
By GEM
This book is packed with information useful for Gem-A students. It has more useful information than the Gem-A course materials! The small size is convenient to carry anywhere.
However, the black & white photos are poorly printed. It is a bit silly to have a black & white photo of a carving displaying labradorescence. Many of the inclusion photos are not clear as well.
This book gets 4 stars for the text and no stars for the photos. Hopefully the printing will be improved with the next edition. Then this book will be a real gem.

3 of 3 people found the following review helpful.
Not For The Novice.
By DJ Reviews
This is the bible for gemologists and is used as a text bok in many classes. I do not recommend this unless you are really serious about getting a certificate. This is not for your average "rock hound", it is very complex and much of the book has to do with equipment you probably do not have. As a gemologist in trainig, I find it very helpful in my studies. It goes more in depth than my class does.

2 of 2 people found the following review helpful.
This book compliments "Gem Identification Made Easy".
By Samuel Leggett
This book compliments "Gem Identification Made Easy" by Antoinette Matlins. Both are very excellent books. I use each when I have a difficult stone identification, or I am looking for more information that one book may not have that the other does.

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Rabu, 04 September 2013

[V666.Ebook] Free PDF The Rocky Horror Show: As I Remember It, by Rayner Bourton

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Rayner Bourton, original Rocky Horror and all 'round nice guy, has released this wonderful new book with his memories of the early days of The Rocky Horror Show. It gives a brilliant insight from the first auditions though the original Theatre Upstairs production to the Kings Road shows.

For the true Rocky Horror fans, this book is a mine of information, with many descriptions of how the show evolved from the first drafts of Richard O'Brien's cult masterpiece to the polished article that opened on 19th June 1973. This book gives you insight into this magical period when none of these talented young actors had any clue that they were starting out on such an extraordinary journey. Crystal clear memories of those very early days have appeared obscured under a veil of glitter and fishnets. Until now.

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  • Sales Rank: #148341 in Audible
  • Published on: 2010-11-30
  • Format: Unabridged
  • Original language: English
  • Running time: 413 minutes

Most helpful customer reviews

1 of 1 people found the following review helpful.
Needs Editing
By M'Pequa Surfer
With so little information about the original production of The Rocky Horror Show available, Bourton's book is a treat for any fan of The Rocky Horror Show. However, while his voice does perfectly illustrate his wonderful anecdotes, it feels as if there is no strong adhesive which holds together Bourton's wonderful adventure.
Grammatical and formatting errors abound, and it is clear that this book needs some heavy editing to fix its glaring problems. There is no spacing between chapters on the Kindle and no table of contents. The book also lacks the photos which are supposed to be included.

0 of 0 people found the following review helpful.
brilliant!!!
By out8905
This book was absolutely fantastic! You get to kind of finally see what went on to create the biggest cult phenomenon in history, and from a perspective of the original rocky! I think it is definetly a book every die-hard rocky horror fan should read! I would rate it higher if there wasn't a 5 star limit.

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Senin, 02 September 2013

[F192.Ebook] Ebook Download Suzuki Gt 125 and Gt 185 Owners Workshop Manual (Haynes owners' workshop manuals for motorcycles), by John Haynes

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Fair condition paperback is quite worn with marked covers - bent/slightly misshapen book. Contents are clean with toned page ends and some browning stain marks.

  • Sales Rank: #4475867 in Books
  • Published on: 1979-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .50" l, .87 pounds
  • Binding: Paperback
  • 220 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Informative manual.
By J. Wagoner
Everything you need to know for repair and maintenance. I bought this book so my nephew, Ben Slough, (injured while serving in Iraq, God bless his soul) had a reference to repair a Suzuki GT 185 for my wife. Everything he needed to know was in this manual. Happy wife, happy man :)

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